Kalyanpur also recorded some memorable songs with a classical base, including Manamohan Man Mein Ho Tumhi, Mere Sang Gā Gungunā, and Gir Gayi Re More Māthe Ki Bindiyā. With Manna Dey, she sang the popular duet Na Jāne Kahān Ham The under the music direction of Dattaram. Some of her memorable duets with Rafi are Parbaton Ke Petron Par Shaam Ka Basera He, Ājahuna Āye Bālamā, Tumane Pukārā Āur Hum Chale Āye", "Bād Muddat Ke Yeh Ghadi Āyee, Mujhhe Yeh Bhool Nā, Tujhhko Dilbari Ki Kasam and Chānd Takatā Hai Idhar. She recorded some popular duets with male singers Mohammad Rafi, Manna Dey, Mukesh, Talat Mahmood, and Hemant Kumar. Kalyanpur sang with Lata Mangeshkar the duet Kabhi Āj, Kabhi Kal, Kabhi Parason under the direction of composer Hemant Kumar. Some of Kalyanpur's popular songs include Nā Tum Hamen Jāno (Bāt Ek Rāt Ki), Chhodo, Chhodo Mori Bāiyān (Miyā Biwi Rāzi), Dil Gham Se Jal Rahā (Shamā), Yun Hi Dil Ne Chāhā Thā (Dil Hi To Hai), Bujhā Diye Hain (Shagoon), Mere Sang Gā (Janwar), Mere Mehboob Na Jā (Noor Mahal), Tum Agar Aa Sako To & Zindagi Doob Gai Dard Ke Toofano Mein (Ek Sāl Pehle), Jo Ham Pe Guzarti Hai (Mohabbat Isko Kehten Hain), and Sharābi Sharābi Yeh Sāwan Kā Mausam (Noor Jehān).
SUMAN KALYANPUR MARATHI BHAKTI SONGS MOVIE
She has sung over 740 movie and non-movie songs. Tripathi, and Ghulam Mohammed, singing the most songs for the first two in the list. Burman, Hemant Kumar, Chitragupta, Naushad, S. She sang for composers Shankar Jaikishan, Roshan, Madan Mohan, S. At age 17, she provided her first playback singing for the movie, Mangu (1954), singing the song Koi Pukāre Dheere Se Tujhe. Highly impressed, he recommended her to his music recording company, HMV.
Once Talat Mahmood heard Kalyanpur singing in a musical concert. In 1943, her family moved to Mumbai (then Bombay), where she received her musical training. Suman Kalyanpur aka Suman Hemadey was born on Januin Dhaka, Bangladesh, (which was then a part of India under British Raj), her maiden name being Hemady. Actually, it was her voice that was sweetness. Even then, the lines she sang on popular request were ringing in everyone’s ears: “Keshava, Madhava tuzhya navaat re godava” (O Lord! Your name is sweetness). Once you have made up your mind, give it your best.”Īs they left the venue, Mrs Kalyanpur held her husband’s hand as he had some trouble walking. Think one hundred times before joining a field. When asked if a career in acting or music composition ever tempted her, she made a very important point for the new generation. Classical and popular singing, training and performing make different demands on your voice. Today’s orchestra fills up the track like ingredients of a good recipe.”įor youngsters, her word of advice is, “Learn to take care of your voice.
But it often led to re-takes and therefore the best takes of individuals were lost. Recording with a live orchestra had its charm. “Modern-day multitrack recording helps you combine the best takes of all performers. However, Kalyanpur is no old-fashioned prude.
SUMAN KALYANPUR MARATHI BHAKTI SONGS TV
It’s embarrassing to watch them on TV at home with children watching. I feel they must at least stop adding those raunchy music videos. “I think they are mostly made by people who don’t like old songs. If there had been any such pressure, wouldn’t I have dropped out at the outset?” What does she feel about the remixes era? I was still able to carve out a niche for myself. “The Manges-hkars were well-established much before I came on the scene.
Her career, debatably, was believed to have been restricted by the awesome presence of the Mangeshkar sisters on the scene. In the voice that immortalised hits like Ajahuna aye balama, Na tum hame jaano and Keshava Madhava (Marathi), she fielded questions hard and soft, with sweetness and dignity. Songs - almost 20 years after she stopped singing full-time.Īt a rare and hurriedly convened interaction with reporters here on Wednesday, it was evident why. PUNE: Sadly, the name may not ring a bell with the Indipop generation, but Suman Kalyanpur remains one of the best-loved voices of Hindi and Marathi